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      <title>Bootshakles 4 da' Shorteez; part 3</title>
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      <description>...featuring T-Huzzie&#xD;
Part three of the three part story-line from P-Duble's newest release; "If I Die..."</description>
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      <title>Bootshakles 4 da' Shorteez; part 2</title>
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      <description>...featuring T-Huzzie&#xD;
Part two of a three-part story-lien on P-Duble's new full-length release; "If I Die..."</description>
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Part two of a three-part story-lien on P-Duble's new full-length release; "If I Die..."</content:encoded>
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      <title>Bootshakles 4 da' Shorteez; part 1</title>
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      <description>...features T-Huzzie&#xD;
Part 1 of a three-part story-line on P-Duble's new full-length release; "If I Die..."</description>
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      <description>One of the tracks off of P-Duble's new full-length release; "If I Die..."</description>
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      <description>Eternal Sunshine    &#xD;
    &#xD;
    Label&#xD;
Head and Rapper 'P-Duble' Has Utilized Optimism and Faith in Jesus Christ to&#xD;
make his 'Pike Street Music Group' One of the New Hip-Hop Powerhouses.    &#xD;
    A    s the founder and CEO of    Ohio     based Pike Street Music Group Keith Scarlett has done&#xD;
exactly the opposite of what many Christian Music Entrepreneurs (or&#xD;
'ministers,' as he likes to be called instead) have done.    Known as the rapper, P-Duble, Scarlett has&#xD;
firmly planted his feet in a music industry that often catches people slipping.    &#xD;
        The thirty-four year old 'minister' began&#xD;
his run as a young MC freestylin' throughout the city of    Indianapolis     and across the region for anyone that would&#xD;
listen.    Seeing that the field held more&#xD;
risk than reward, Scarlett stepped away from a partnership with two childhood&#xD;
friends to start doing things on his own in 1992.    But dealing with himself taught Scarlett a&#xD;
valuable lesson. "When you sign a group, that's a lot of work," explains&#xD;
Scarlett. "Since it's you, it's even harder.    Because the market was radio-driven and it's harder to break into rap,&#xD;
it's got to be something special."    &#xD;
        Something special would come in the form&#xD;
of a "happenstance-meeting" with one of the hottest artists and producers in&#xD;
the    Midwest    ; Ty Wills.    &#xD;
    "My wife and I were Christmas&#xD;
shopping in the City Center Mall in downtown    Columbus    , when I walked into this airbrush shop and saw these&#xD;
flyers advertising a studio specializing in hop-hop for only $25.00," stated&#xD;
 -Duble.    "So, I figured why not&amp;hellip;it's&#xD;
worth checking-out for that price&amp;hellip;"    &#xD;
        P-Duble quickly realized that Will's set-up was just&#xD;
right and that Ty Wills had the experience to help re-start what had previously&#xD;
been a dormant voice for the past 7 years.    His first release in August 2006, "No One," has gone on to become an&#xD;
underground staple in the Christian hip-hop market.    P-Duble would continue to build a following&#xD;
through shows and appearances and then really developed a buzz with his May&#xD;
2007 EP, "My Album About Me."    This&#xD;
6-track joint, including the club hit, "No Trouble" has begun to put P-Duble as&#xD;
a nationwide entity.    &#xD;
        Using the blueprints laid by Southern rap&#xD;
CEO's like Rap-A-Lot's James Prince, Suave House's Tony Draper, No Limit's&#xD;
Master P and Slip-n-Slide's Ted Lucas, P-Duble and his label, pike Street&#xD;
Music, has begun to become a force and is even in negotiation for a&#xD;
distribution deal with Koch Records.    Powerful chart performances by "No Trouble" and the other hit single&#xD;
from the newest  release, "Round-n-Round,"&#xD;
have started to set the stage for P-Duble to take-hold of a post-Babyface and&#xD;
post-Bone Thugs Midwest.    &#xD;
    "The success hasn't really&#xD;
surprised me, because the Lord can make all things happen," says -dub&#xD;
confidently.    "But I wanted to make sure&#xD;
that it didn't become a one-hit wonder.    Anything you build for the Lord has to have a foundation and that&#xD;
foundation is scripture and being firmly rooted in the Lord's doctrine.    So we made sure the hometown people believed&#xD;
us.    We made sure we became the best that&#xD;
we can and let the Lord take it on from there."    &#xD;
        Soon, P-dub had earned a unique reputation&#xD;
as an artist that had a street persona and radio-friendly music.    Building on the previous projects, P-dub's first-full-length&#xD;
release in almost a decade;  If I Die&amp;hellip;  ,&#xD;
is completed and he has chosen to bring an even harder edge to his sound, while&#xD;
still maintaining his mainstream accessibility.    P-Duble's breakthrough singles off the new project may just be the ones&#xD;
that he has been hard at work trying to perfect, and with a    cameo from platinum hip-hop artist Mims, as&#xD;
well as the talented T-Huzzie, Ty Wills, BW + LX and Luppy &amp;ndash; this release, may&#xD;
set a new standard in the Christian hip-hop world.    &#xD;
        P-Duble rates this past year as on the&#xD;
best, but 2008 will be holding its own challenges.    While he will be releasing his new and first,&#xD;
full-length release in more than 10 years;    Pike Street     music is also branching-off and creating Kaulipepper&#xD;
Klik Productions: the production arm&amp;hellip;and opening-up other aspiring artists'&#xD;
access to the production and beat-making that has thus-far been only behind the&#xD;
lyrics of P-Duble.    &#xD;
  &#xD;
        It's that opportunistic outlook that keeps&#xD;
P-dub from slippin'.    "Hip Hop is all&#xD;
about opportunity; opportunity to spread the message of Jesus Christ to those&#xD;
that need it," he says.    "People say it's&#xD;
dying, but that's coming from people who don't take advantage of&#xD;
opportunities."    &#xD;
  &#xD;
        &#xD;
    "I&#xD;
wanted to make sure that it didn't become a one-hit wonder.    So we made sure the hometown people believed&#xD;
us."        - P-Duble    &#xD;
        --  Pike Street Music - Colossians 3:17    http://pduble.bravehost.com    http://www.myspace.com/pikestreetm usicpduble     P-Duble's newest release "If I Die..." - 6/1/08!!!!!!</description>
      <content:encoded>Eternal Sunshine    &#xD;
    &#xD;
    Label&#xD;
Head and Rapper 'P-Duble' Has Utilized Optimism and Faith in Jesus Christ to&#xD;
make his 'Pike Street Music Group' One of the New Hip-Hop Powerhouses.    &#xD;
    A    s the founder and CEO of    Ohio     based Pike Street Music Group Keith Scarlett has done&#xD;
exactly the opposite of what many Christian Music Entrepreneurs (or&#xD;
'ministers,' as he likes to be called instead) have done.    Known as the rapper, P-Duble, Scarlett has&#xD;
firmly planted his feet in a music industry that often catches people slipping.    &#xD;
        The thirty-four year old 'minister' began&#xD;
his run as a young MC freestylin' throughout the city of    Indianapolis     and across the region for anyone that would&#xD;
listen.    Seeing that the field held more&#xD;
risk than reward, Scarlett stepped away from a partnership with two childhood&#xD;
friends to start doing things on his own in 1992.    But dealing with himself taught Scarlett a&#xD;
valuable lesson. "When you sign a group, that's a lot of work," explains&#xD;
Scarlett. "Since it's you, it's even harder.    Because the market was radio-driven and it's harder to break into rap,&#xD;
it's got to be something special."    &#xD;
        Something special would come in the form&#xD;
of a "happenstance-meeting" with one of the hottest artists and producers in&#xD;
the    Midwest    ; Ty Wills.    &#xD;
    "My wife and I were Christmas&#xD;
shopping in the City Center Mall in downtown    Columbus    , when I walked into this airbrush shop and saw these&#xD;
flyers advertising a studio specializing in hop-hop for only $25.00," stated&#xD;
 -Duble.    "So, I figured why not&amp;hellip;it's&#xD;
worth checking-out for that price&amp;hellip;"    &#xD;
        P-Duble quickly realized that Will's set-up was just&#xD;
right and that Ty Wills had the experience to help re-start what had previously&#xD;
been a dormant voice for the past 7 years.    His first release in August 2006, "No One," has gone on to become an&#xD;
underground staple in the Christian hip-hop market.    P-Duble would continue to build a following&#xD;
through shows and appearances and then really developed a buzz with his May&#xD;
2007 EP, "My Album About Me."    This&#xD;
6-track joint, including the club hit, "No Trouble" has begun to put P-Duble as&#xD;
a nationwide entity.    &#xD;
        Using the blueprints laid by Southern rap&#xD;
CEO's like Rap-A-Lot's James Prince, Suave House's Tony Draper, No Limit's&#xD;
Master P and Slip-n-Slide's Ted Lucas, P-Duble and his label, pike Street&#xD;
Music, has begun to become a force and is even in negotiation for a&#xD;
distribution deal with Koch Records.    Powerful chart performances by "No Trouble" and the other hit single&#xD;
from the newest  release, "Round-n-Round,"&#xD;
have started to set the stage for P-Duble to take-hold of a post-Babyface and&#xD;
post-Bone Thugs Midwest.    &#xD;
    "The success hasn't really&#xD;
surprised me, because the Lord can make all things happen," says -dub&#xD;
confidently.    "But I wanted to make sure&#xD;
that it didn't become a one-hit wonder.    Anything you build for the Lord has to have a foundation and that&#xD;
foundation is scripture and being firmly rooted in the Lord's doctrine.    So we made sure the hometown people believed&#xD;
us.    We made sure we became the best that&#xD;
we can and let the Lord take it on from there."    &#xD;
        Soon, P-dub had earned a unique reputation&#xD;
as an artist that had a street persona and radio-friendly music.    Building on the previous projects, P-dub's first-full-length&#xD;
release in almost a decade;  If I Die&amp;hellip;  ,&#xD;
is completed and he has chosen to bring an even harder edge to his sound, while&#xD;
still maintaining his mainstream accessibility.    P-Duble's breakthrough singles off the new project may just be the ones&#xD;
that he has been hard at work trying to perfect, and with a    cameo from platinum hip-hop artist Mims, as&#xD;
well as the talented T-Huzzie, Ty Wills, BW + LX and Luppy &amp;ndash; this release, may&#xD;
set a new standard in the Christian hip-hop world.    &#xD;
        P-Duble rates this past year as on the&#xD;
best, but 2008 will be holding its own challenges.    While he will be releasing his new and first,&#xD;
full-length release in more than 10 years;    Pike Street     music is also branching-off and creating Kaulipepper&#xD;
Klik Productions: the production arm&amp;hellip;and opening-up other aspiring artists'&#xD;
access to the production and beat-making that has thus-far been only behind the&#xD;
lyrics of P-Duble.    &#xD;
  &#xD;
        It's that opportunistic outlook that keeps&#xD;
P-dub from slippin'.    "Hip Hop is all&#xD;
about opportunity; opportunity to spread the message of Jesus Christ to those&#xD;
that need it," he says.    "People say it's&#xD;
dying, but that's coming from people who don't take advantage of&#xD;
opportunities."    &#xD;
  &#xD;
        &#xD;
    "I&#xD;
wanted to make sure that it didn't become a one-hit wonder.    So we made sure the hometown people believed&#xD;
us."        - P-Duble    &#xD;
        --  Pike Street Music - Colossians 3:17    http://pduble.bravehost.com    http://www.myspace.com/pikestreetm usicpduble     P-Duble's newest release "If I Die..." - 6/1/08!!!!!!</content:encoded>
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      <pubDate>Thu, 29 May 2008 15:19:24 GMT</pubDate>
      <guid>http://community.24gospel.com/_Eternal-Sunshine/BLOG/62141/5325.html</guid>
      <dc:creator>kscarlett</dc:creator>
      <dc:date>2008-05-29T15:19:24Z</dc:date>
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        <media:category>Christian MTV</media:category>
        <media:category>Holy Hip Hop</media:category>
        <media:credit role="publishing company" scheme="urn:ebu">24 Gospel</media:credit>
        <media:description>Eternal Sunshine    &#xD;
    &#xD;
    Label&#xD;
Head and Rapper 'P-Duble' Has Utilized Optimism and Faith in Jesus Christ to&#xD;
make his 'Pike Street Music Group' One of the New Hip-Hop Powerhouses.    &#xD;
    A    s the founder and CEO of    Ohio     based Pike Street Music Group Keith Scarlett has done&#xD;
exactly the opposite of what many Christian Music Entrepreneurs (or&#xD;
'ministers,' as he likes to be called instead) have done.    Known as the rapper, P-Duble, Scarlett has&#xD;
firmly planted his feet in a music industry that often catches people slipping.    &#xD;
        The thirty-four year old 'minister' began&#xD;
his run as a young MC freestylin' throughout the city of    Indianapolis     and across the region for anyone that would&#xD;
listen.    Seeing that the field held more&#xD;
risk than reward, Scarlett stepped away from a partnership with two childhood&#xD;
friends to start doing things on his own in 1992.    But dealing with himself taught Scarlett a&#xD;
valuable lesson. "When you sign a group, that's a lot of work," explains&#xD;
Scarlett. "Since it's you, it's even harder.    Because the market was radio-driven and it's harder to break into rap,&#xD;
it's got to be something special."    &#xD;
        Something special would come in the form&#xD;
of a "happenstance-meeting" with one of the hottest artists and producers in&#xD;
the    Midwest    ; Ty Wills.    &#xD;
    "My wife and I were Christmas&#xD;
shopping in the City Center Mall in downtown    Columbus    , when I walked into this airbrush shop and saw these&#xD;
flyers advertising a studio specializing in hop-hop for only $25.00," stated&#xD;
 -Duble.    "So, I figured why not&amp;hellip;it's&#xD;
worth checking-out for that price&amp;hellip;"    &#xD;
        P-Duble quickly realized that Will's set-up was just&#xD;
right and that Ty Wills had the experience to help re-start what had previously&#xD;
been a dormant voice for the past 7 years.    His first release in August 2006, "No One," has gone on to become an&#xD;
underground staple in the Christian hip-hop market.    P-Duble would continue to build a following&#xD;
through shows and appearances and then really developed a buzz with his May&#xD;
2007 EP, "My Album About Me."    This&#xD;
6-track joint, including the club hit, "No Trouble" has begun to put P-Duble as&#xD;
a nationwide entity.    &#xD;
        Using the blueprints laid by Southern rap&#xD;
CEO's like Rap-A-Lot's James Prince, Suave House's Tony Draper, No Limit's&#xD;
Master P and Slip-n-Slide's Ted Lucas, P-Duble and his label, pike Street&#xD;
Music, has begun to become a force and is even in negotiation for a&#xD;
distribution deal with Koch Records.    Powerful chart performances by "No Trouble" and the other hit single&#xD;
from the newest  release, "Round-n-Round,"&#xD;
have started to set the stage for P-Duble to take-hold of a post-Babyface and&#xD;
post-Bone Thugs Midwest.    &#xD;
    "The success hasn't really&#xD;
surprised me, because the Lord can make all things happen," says -dub&#xD;
confidently.    "But I wanted to make sure&#xD;
that it didn't become a one-hit wonder.    Anything you build for the Lord has to have a foundation and that&#xD;
foundation is scripture and being firmly rooted in the Lord's doctrine.    So we made sure the hometown people believed&#xD;
us.    We made sure we became the best that&#xD;
we can and let the Lord take it on from there."    &#xD;
        Soon, P-dub had earned a unique reputation&#xD;
as an artist that had a street persona and radio-friendly music.    Building on the previous projects, P-dub's first-full-length&#xD;
release in almost a decade;  If I Die&amp;hellip;  ,&#xD;
is completed and he has chosen to bring an even harder edge to his sound, while&#xD;
still maintaining his mainstream accessibility.    P-Duble's breakthrough singles off the new project may just be the ones&#xD;
that he has been hard at work trying to perfect, and with a    cameo from platinum hip-hop artist Mims, as&#xD;
well as the talented T-Huzzie, Ty Wills, BW + LX and Luppy &amp;ndash; this release, may&#xD;
set a new standard in the Christian hip-hop world.    &#xD;
        P-Duble rates this past year as on the&#xD;
best, but 2008 will be holding its own challenges.    While he will be releasing his new and first,&#xD;
full-length release in more than 10 years;    Pike Street     music is also branching-off and creating Kaulipepper&#xD;
Klik Productions: the production arm&amp;hellip;and opening-up other aspiring artists'&#xD;
access to the production and beat-making that has thus-far been only behind the&#xD;
lyrics of P-Duble.    &#xD;
  &#xD;
        It's that opportunistic outlook that keeps&#xD;
P-dub from slippin'.    "Hip Hop is all&#xD;
about opportunity; opportunity to spread the message of Jesus Christ to those&#xD;
that need it," he says.    "People say it's&#xD;
dying, but that's coming from people who don't take advantage of&#xD;
opportunities."    &#xD;
  &#xD;
        &#xD;
    "I&#xD;
wanted to make sure that it didn't become a one-hit wonder.    So we made sure the hometown people believed&#xD;
us."        - P-Duble    &#xD;
        --  Pike Street Music - Colossians 3:17    http://pduble.bravehost.com    http://www.myspace.com/pikestreetm usicpduble     P-Duble's newest release "If I Die..." - 6/1/08!!!!!!</media:description>
        <media:keywords>christian mtv, holy hip hop</media:keywords>
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        <media:title>Eternal Sunshine</media:title>
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      <ka:state>OH</ka:state>
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      <title>P-Duble</title>
      <link>http://community.24gospel.com/_P-Duble/BLOG/60893/5325.html</link>
      <description>P-Duble          &#xD;
        As one of the hottest up-n-coming artists in the&#xD;
industry&amp;hellip;and more than 10 years older than most of his comrades, P-Duble has&#xD;
experience and maturity to bring to the table.        &#xD;
        P-Duble is thirty-four and was almost 10&#xD;
years removed from his last release, "Birth Uv A G," in 1999.    The record, and P-dub's voice&amp;mdash;classics in the&#xD;
now popular, but still young, Christian Hip-Hop World&amp;mdash;set the stage for his&#xD;
hiatus and allowed him to learn some important life-lessons until the time was&#xD;
right for him to step back behind the microphone.    &#xD;
        Thanks to the persistence of such cultural&#xD;
icons as Sup C, Mr. Solo and T-Bone and reinforced by a mainstream culture that&#xD;
loves to occasionally dust off classic adages, P-dub has never really left the&#xD;
game, or missed a meal.    He couldn't be&#xD;
happier that the Lord has continued to fuel his calling into the hip-hop ministry.    &#xD;
        "I appreciate that the Lord has allowed me&#xD;
to still stay in this game and I thank Him for the blessings He has bestowed&#xD;
upon me," P-dub says. "Not talking financially, just talking about my family,&#xD;
life and being relevant in His scheme."    P-dub&#xD;
hasn't relied on samples alone to stay and get back into the game.    He came-back on the scene with a vengeance&#xD;
with his 2006 release, "No One."    This&#xD;
self-produced project tossed itself into more than 10,000 heads and set the&#xD;
stage for what has been a spiritual re-awakening on a major hip-hop scale.    &#xD;
        As for the rest of his history, P-dub&#xD;
first formed a group with some of his boys called "Dead On Arrival," back in&#xD;
1990.    P-Duble dropped himself from the&#xD;
group and saw the remaining duo sign with Philadelphia-based Bodybag Records&#xD;
and release an album&amp;hellip;and then&amp;hellip;saw it collapse on the shelves.    P-Duble (known as Lil' Pookie at the time)&#xD;
then proceeded to drop his own underground projects, such as "Blak + Wyte" in&#xD;
1992, "Bottom of my Boot" in 1994, "Pooc OG: tha' gangsta' chronicles" in 1995&#xD;
and then "Birth Uv A G" in 1999.    &#xD;
        In between these individual releases, he&#xD;
combined with Michigan-based Luppy to form the "Outsiders."    They worked together and collaborated on&#xD;
one-project that was released in 1996 and opened-up the door for Luppy to jump&#xD;
onto the scene with his own group, "L Outsiders."    &#xD;
        Lup and P-dub saw a future together, but&#xD;
the business and differing aspirations ultimately took a toll on their&#xD;
relationship.    "That relationship got&#xD;
really messed-up for awhile," P-dub says.    "I was so immature that I wouldn't allow myself to see eye-to-eye with&#xD;
him, which was a mistake, because he was right and he was so talented and was&#xD;
really the heart and soul of what we were doing. The music business is&#xD;
notorious for breaking up relationships because of everything that it entails.&#xD;
Ego, money.    Those are usually things&#xD;
that are pieces of the problem, but it never should've been, especially with&#xD;
where we were both coming-up from and the fact that we were both Christian&#xD;
artists."    &#xD;
        P-Duble laughs matter-of-factly at the&#xD;
situation, and then turns his attention to today.    He's preparing to enter the game with a thump&#xD;
through his reincarnated    Pike Street     music, the same company that released the&#xD;
final three of his previous releases back in the day.    &#xD;
        "One of the singles off this one is called&#xD;
'This Is Why&amp;hellip;' and features Mims and is based on the concept of the old records&#xD;
and MC's."    The album is titled  "If&#xD;
I Die  &amp;hellip;  ,"   but P-dub believes that hip-hop is ready for someone to push the music&#xD;
forward creatively.    "These topics they&#xD;
talkin' about. We already covered that in the 80's and 90's.    You know, 'I Get Money?'    Why hasn't the artist progressed&#xD;
conceptually?    They're not diggin' deep enough.    I wanted to dig deep and come up with neat&#xD;
concepts and things that haven't been done before."    &#xD;
        The high-pitched excitement that&#xD;
characterized his delivery as an MC also shows up in his speaking voice.    In discussing his whereabouts, he's honest to&#xD;
a possible fault.    He admits that he was&#xD;
and still is hesitant to pick up the mic as a mature adult because many may not&#xD;
want to hear a grown man rap.    &#xD;
        However that hasn't been the case at&#xD;
all.    The public's reaction has surprised&#xD;
even P-dub himself.    &#xD;
  &#xD;
        "The response has been&#xD;
crazy," he says about his comments in other interviews, which generated a great&#xD;
deal of fan reaction. "They didn't touch on the age thing.    Maybe it's not as big of a deal as I thought&#xD;
it was, but then again the Lord has a way of over-coming even the most ominous&#xD;
of obstacles&amp;hellip;there isn't any that He can't overcome.    I mean, Jay-Z is older than me.    I'm thirty-four.    He says he's thirty-eight.    We know Dr. Dre is in his forties.    Even 50 is in his thirties.    Personally, I would like to forget bout that&#xD;
and listen to the music.    If it's hot,&#xD;
it's hot."</description>
      <content:encoded>P-Duble          &#xD;
        As one of the hottest up-n-coming artists in the&#xD;
industry&amp;hellip;and more than 10 years older than most of his comrades, P-Duble has&#xD;
experience and maturity to bring to the table.        &#xD;
        P-Duble is thirty-four and was almost 10&#xD;
years removed from his last release, "Birth Uv A G," in 1999.    The record, and P-dub's voice&amp;mdash;classics in the&#xD;
now popular, but still young, Christian Hip-Hop World&amp;mdash;set the stage for his&#xD;
hiatus and allowed him to learn some important life-lessons until the time was&#xD;
right for him to step back behind the microphone.    &#xD;
        Thanks to the persistence of such cultural&#xD;
icons as Sup C, Mr. Solo and T-Bone and reinforced by a mainstream culture that&#xD;
loves to occasionally dust off classic adages, P-dub has never really left the&#xD;
game, or missed a meal.    He couldn't be&#xD;
happier that the Lord has continued to fuel his calling into the hip-hop ministry.    &#xD;
        "I appreciate that the Lord has allowed me&#xD;
to still stay in this game and I thank Him for the blessings He has bestowed&#xD;
upon me," P-dub says. "Not talking financially, just talking about my family,&#xD;
life and being relevant in His scheme."    P-dub&#xD;
hasn't relied on samples alone to stay and get back into the game.    He came-back on the scene with a vengeance&#xD;
with his 2006 release, "No One."    This&#xD;
self-produced project tossed itself into more than 10,000 heads and set the&#xD;
stage for what has been a spiritual re-awakening on a major hip-hop scale.    &#xD;
        As for the rest of his history, P-dub&#xD;
first formed a group with some of his boys called "Dead On Arrival," back in&#xD;
1990.    P-Duble dropped himself from the&#xD;
group and saw the remaining duo sign with Philadelphia-based Bodybag Records&#xD;
and release an album&amp;hellip;and then&amp;hellip;saw it collapse on the shelves.    P-Duble (known as Lil' Pookie at the time)&#xD;
then proceeded to drop his own underground projects, such as "Blak + Wyte" in&#xD;
1992, "Bottom of my Boot" in 1994, "Pooc OG: tha' gangsta' chronicles" in 1995&#xD;
and then "Birth Uv A G" in 1999.    &#xD;
        In between these individual releases, he&#xD;
combined with Michigan-based Luppy to form the "Outsiders."    They worked together and collaborated on&#xD;
one-project that was released in 1996 and opened-up the door for Luppy to jump&#xD;
onto the scene with his own group, "L Outsiders."    &#xD;
        Lup and P-dub saw a future together, but&#xD;
the business and differing aspirations ultimately took a toll on their&#xD;
relationship.    "That relationship got&#xD;
really messed-up for awhile," P-dub says.    "I was so immature that I wouldn't allow myself to see eye-to-eye with&#xD;
him, which was a mistake, because he was right and he was so talented and was&#xD;
really the heart and soul of what we were doing. The music business is&#xD;
notorious for breaking up relationships because of everything that it entails.&#xD;
Ego, money.    Those are usually things&#xD;
that are pieces of the problem, but it never should've been, especially with&#xD;
where we were both coming-up from and the fact that we were both Christian&#xD;
artists."    &#xD;
        P-Duble laughs matter-of-factly at the&#xD;
situation, and then turns his attention to today.    He's preparing to enter the game with a thump&#xD;
through his reincarnated    Pike Street     music, the same company that released the&#xD;
final three of his previous releases back in the day.    &#xD;
        "One of the singles off this one is called&#xD;
'This Is Why&amp;hellip;' and features Mims and is based on the concept of the old records&#xD;
and MC's."    The album is titled  "If&#xD;
I Die  &amp;hellip;  ,"   but P-dub believes that hip-hop is ready for someone to push the music&#xD;
forward creatively.    "These topics they&#xD;
talkin' about. We already covered that in the 80's and 90's.    You know, 'I Get Money?'    Why hasn't the artist progressed&#xD;
conceptually?    They're not diggin' deep enough.    I wanted to dig deep and come up with neat&#xD;
concepts and things that haven't been done before."    &#xD;
        The high-pitched excitement that&#xD;
characterized his delivery as an MC also shows up in his speaking voice.    In discussing his whereabouts, he's honest to&#xD;
a possible fault.    He admits that he was&#xD;
and still is hesitant to pick up the mic as a mature adult because many may not&#xD;
want to hear a grown man rap.    &#xD;
        However that hasn't been the case at&#xD;
all.    The public's reaction has surprised&#xD;
even P-dub himself.    &#xD;
  &#xD;
        "The response has been&#xD;
crazy," he says about his comments in other interviews, which generated a great&#xD;
deal of fan reaction. "They didn't touch on the age thing.    Maybe it's not as big of a deal as I thought&#xD;
it was, but then again the Lord has a way of over-coming even the most ominous&#xD;
of obstacles&amp;hellip;there isn't any that He can't overcome.    I mean, Jay-Z is older than me.    I'm thirty-four.    He says he's thirty-eight.    We know Dr. Dre is in his forties.    Even 50 is in his thirties.    Personally, I would like to forget bout that&#xD;
and listen to the music.    If it's hot,&#xD;
it's hot."</content:encoded>
      <enclosure url="http://media.kickstatic.com/kickapps/images/5325/users/kscarlett_5325_portrait100X75.jpg" type="text/html" />
      <pubDate>Sat, 24 May 2008 02:43:50 GMT</pubDate>
      <guid>http://community.24gospel.com/_P-Duble/BLOG/60893/5325.html</guid>
      <dc:creator>kscarlett</dc:creator>
      <dc:date>2008-05-24T02:43:50Z</dc:date>
      <media:content expression="full" type="text/html" isDefault="true" url="http://media.kickstatic.com/kickapps/images/5325/users/kscarlett_5325_portrait100X75.jpg">
        <media:category>Christian MTV</media:category>
        <media:category>Holy Hip Hop</media:category>
        <media:credit role="publishing company" scheme="urn:ebu">24 Gospel</media:credit>
        <media:description>P-Duble          &#xD;
        As one of the hottest up-n-coming artists in the&#xD;
industry&amp;hellip;and more than 10 years older than most of his comrades, P-Duble has&#xD;
experience and maturity to bring to the table.        &#xD;
        P-Duble is thirty-four and was almost 10&#xD;
years removed from his last release, "Birth Uv A G," in 1999.    The record, and P-dub's voice&amp;mdash;classics in the&#xD;
now popular, but still young, Christian Hip-Hop World&amp;mdash;set the stage for his&#xD;
hiatus and allowed him to learn some important life-lessons until the time was&#xD;
right for him to step back behind the microphone.    &#xD;
        Thanks to the persistence of such cultural&#xD;
icons as Sup C, Mr. Solo and T-Bone and reinforced by a mainstream culture that&#xD;
loves to occasionally dust off classic adages, P-dub has never really left the&#xD;
game, or missed a meal.    He couldn't be&#xD;
happier that the Lord has continued to fuel his calling into the hip-hop ministry.    &#xD;
        "I appreciate that the Lord has allowed me&#xD;
to still stay in this game and I thank Him for the blessings He has bestowed&#xD;
upon me," P-dub says. "Not talking financially, just talking about my family,&#xD;
life and being relevant in His scheme."    P-dub&#xD;
hasn't relied on samples alone to stay and get back into the game.    He came-back on the scene with a vengeance&#xD;
with his 2006 release, "No One."    This&#xD;
self-produced project tossed itself into more than 10,000 heads and set the&#xD;
stage for what has been a spiritual re-awakening on a major hip-hop scale.    &#xD;
        As for the rest of his history, P-dub&#xD;
first formed a group with some of his boys called "Dead On Arrival," back in&#xD;
1990.    P-Duble dropped himself from the&#xD;
group and saw the remaining duo sign with Philadelphia-based Bodybag Records&#xD;
and release an album&amp;hellip;and then&amp;hellip;saw it collapse on the shelves.    P-Duble (known as Lil' Pookie at the time)&#xD;
then proceeded to drop his own underground projects, such as "Blak + Wyte" in&#xD;
1992, "Bottom of my Boot" in 1994, "Pooc OG: tha' gangsta' chronicles" in 1995&#xD;
and then "Birth Uv A G" in 1999.    &#xD;
        In between these individual releases, he&#xD;
combined with Michigan-based Luppy to form the "Outsiders."    They worked together and collaborated on&#xD;
one-project that was released in 1996 and opened-up the door for Luppy to jump&#xD;
onto the scene with his own group, "L Outsiders."    &#xD;
        Lup and P-dub saw a future together, but&#xD;
the business and differing aspirations ultimately took a toll on their&#xD;
relationship.    "That relationship got&#xD;
really messed-up for awhile," P-dub says.    "I was so immature that I wouldn't allow myself to see eye-to-eye with&#xD;
him, which was a mistake, because he was right and he was so talented and was&#xD;
really the heart and soul of what we were doing. The music business is&#xD;
notorious for breaking up relationships because of everything that it entails.&#xD;
Ego, money.    Those are usually things&#xD;
that are pieces of the problem, but it never should've been, especially with&#xD;
where we were both coming-up from and the fact that we were both Christian&#xD;
artists."    &#xD;
        P-Duble laughs matter-of-factly at the&#xD;
situation, and then turns his attention to today.    He's preparing to enter the game with a thump&#xD;
through his reincarnated    Pike Street     music, the same company that released the&#xD;
final three of his previous releases back in the day.    &#xD;
        "One of the singles off this one is called&#xD;
'This Is Why&amp;hellip;' and features Mims and is based on the concept of the old records&#xD;
and MC's."    The album is titled  "If&#xD;
I Die  &amp;hellip;  ,"   but P-dub believes that hip-hop is ready for someone to push the music&#xD;
forward creatively.    "These topics they&#xD;
talkin' about. We already covered that in the 80's and 90's.    You know, 'I Get Money?'    Why hasn't the artist progressed&#xD;
conceptually?    They're not diggin' deep enough.    I wanted to dig deep and come up with neat&#xD;
concepts and things that haven't been done before."    &#xD;
        The high-pitched excitement that&#xD;
characterized his delivery as an MC also shows up in his speaking voice.    In discussing his whereabouts, he's honest to&#xD;
a possible fault.    He admits that he was&#xD;
and still is hesitant to pick up the mic as a mature adult because many may not&#xD;
want to hear a grown man rap.    &#xD;
        However that hasn't been the case at&#xD;
all.    The public's reaction has surprised&#xD;
even P-dub himself.    &#xD;
  &#xD;
        "The response has been&#xD;
crazy," he says about his comments in other interviews, which generated a great&#xD;
deal of fan reaction. "They didn't touch on the age thing.    Maybe it's not as big of a deal as I thought&#xD;
it was, but then again the Lord has a way of over-coming even the most ominous&#xD;
of obstacles&amp;hellip;there isn't any that He can't overcome.    I mean, Jay-Z is older than me.    I'm thirty-four.    He says he's thirty-eight.    We know Dr. Dre is in his forties.    Even 50 is in his thirties.    Personally, I would like to forget bout that&#xD;
and listen to the music.    If it's hot,&#xD;
it's hot."</media:description>
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      <title>Curse of the Me Album</title>
      <link>http://community.24gospel.com/_Curse-of-the-Me-Album/BLOG/60892/5325.html</link>
      <description>Curse of the Me-Album      &#xD;
     &#xD;
    [image]  &#xD;
  &#xD;
  &#xD;
    &#xD;
    &#xD;
    You know what I like about working for myself?   No dress code.  &#xD;
  You wear what you want every &#xD;
day of the week and nobody much cares. Frankly, it's &#xD;
gotten to the point where if I've got long pants on &#xD;
between Memorial Day and Labor Day, my kids want &#xD;
to know who I'm meeting with. (If I'm wearing a tie, they &#xD;
want to know who died.)  &#xD;
  And so yesterday evening, when I arrived home wearing pants that weren't jeans and shoes &#xD;
that weren't sneakers, my family knew that something &#xD;
was up.  &#xD;
    "Where'd you go today?," my ten-year-old son Brayden asked over dinner.   I told him that I &#xD;
drove to see someone in Pickerington (pronounced &#xD;
"Pink-er-ington" for those of you not-raised in normal-speaking &#xD;
parts &#xD;
of the world), a city about 20 miles away.  &#xD;
  "How long did it take you to drive there?," he asked.  &#xD;
  "About an hour each way," I said. "Rounding-up the time and not explaining that there was heavy traffic while I was on the road.  &#xD;
    I could see that the wheels were now turning &#xD;
inside Brayden's fourth-grade brain.    &#xD;
  "Wait a second," he said. "Why did it take you &#xD;
  one   hour to drive just 20 miles, when we drove to New York City in 8 hours&amp;hellip; and that's a &#xD;
thousand miles away?"  &#xD;
    Now  I   was confused.   Even ignoring the &#xD;
implication that my Ford Explorer could ever reach 250 &#xD;
miles per hour &amp;ndash; something I doubt it could do &#xD;
if you dropped it out of an airplane &amp;ndash; we live in Columbus, Ohio; New York City is only about 600 &#xD;
miles away.  &#xD;
    So I asked him, "What makes you think New York &#xD;
is a thousand miles from here?"    &#xD;
  "Easy. In that song  Hey There Delilah  , &#xD;
the guys &#xD;
sings: 'What's it like in New York City? I'm a thousand &#xD;
miles away, but girl tonight you look so pretty.'"  &#xD;
    His reasoning was based on a bad assumption, &#xD;
of course, but I had to admit, in a kind of topsy-turvy, &#xD;
me-centric way, it almost made sense.   (The &#xD;
thought crossed my mind that he may play an &#xD;
important media relations role in some future White &#xD;
House administration.)  &#xD;
    For an eight-year-old, it's pretty normal to assume &#xD;
that the world revolves around you and everybody else &#xD;
shares your same perspective.   Unfortunately, for musicians of any age, the same (flawed) &#xD;
assumption is often at work.  &#xD;
  Here's what I mean. Many musicians &amp;ndash; &#xD;
whether they say it out loud or even consciously realize &#xD;
it &amp;ndash; work from the belief that the way they're &#xD;
organized, the people they've got on board, and the &#xD;
products and services they sell, are of keen interest to &#xD;
their fan-base.  &#xD;
  It's a bad assumption.  Here are some examples &#xD;
of how it often plays out:    &#xD;
  &#xD;
    Your musical content formula &#xD;
matches the structure of your band.   Time, &#xD;
Inc. publishes  Sports Illustrated for Kids, Woman's &#xD;
Weekly   and  Land Rover World  . And yet I &#xD;
think you'd agree that if they ever tried to combine the &#xD;
three into one magazine, they'd be very successful in &#xD;
appealing to nobody.  &#xD;
  &#xD;
    &#xD;
    By the same token, and while it's fine to have a &#xD;
company that sells auto insurance to consumers, &#xD;
health insurance to small businesses, and &#xD;
financial aid advice to college students, if you try to &#xD;
cover all those topics for all those audiences in the &#xD;
same publication &amp;ndash;  simply because it's &#xD;
what you do   &amp;ndash; you'll be wasting your time.    &#xD;
        Pick a narrow content focus and stick to it time after time.     How narrow? As narrow &#xD;
as you think possible, and then a few steps more &#xD;
narrow than that.    &#xD;
  &#xD;
    Your music is influenced by several &#xD;
different sources that you're probably not even aware of.   Some musicians even rotate contributors with the idea of "getting input&#xD;
from everybody possible and letting our fans get to know us." That's a&#xD;
nice way to get buy-in and participation from  within   your organization, but again, it's a &#xD;
capital-L-Loser from the point of view of your fan-base, &#xD;
who don't much care about any of that.  &#xD;
      Settle on a clear, consistent, recognizable sound &#xD;
and stick to it time after time.     Be willing to &#xD;
ignore certain groups of potential fans in the name &#xD;
of building a loyal &#xD;
following among others.  &#xD;
    Your music's topics and content all &#xD;
point back to you.   As a marketing person myself, I &#xD;
appreciate the urge to keep citing your experience, &#xD;
pointing out your capabilities and gushing over your &#xD;
own wonderfulness when writing your music. &#xD;
After all, you may be thinking, isn't the promotion of our music the point of all of this in the &#xD;
first place?  &#xD;
  Yes it is. The problem, however, is that the minute &#xD;
your fans see you wander from the bright and &#xD;
cheery land of useful, unbiased information into the &#xD;
cold and calculating campaign bus of self-promoting &#xD;
half-truths, you'll lose them (sorry about the &#xD;
metaphors; I think I'm watching too much political &#xD;
coverage).  &#xD;
    Remember, you're building relationships, not &#xD;
closing today's sale   &amp;ndash; and relationship &#xD;
building is a strategy which in &#xD;
the long run is easier, more profitable and more &#xD;
long-lasting than trying to work the room at every &#xD;
turn.  &#xD;
    Here's the bottom line.   If you want people to &#xD;
anticipate, open, read and pass along your music (and I'm guessing that you do), you need to put &#xD;
yourself in the shoes of your readers.  Try to offer music that will help them live &#xD;
their lives better or will influence them in a way that you may never know, and your next fan will never be &#xD;
more than a few miles away.</description>
      <content:encoded>Curse of the Me-Album      &#xD;
     &#xD;
    [image]  &#xD;
  &#xD;
  &#xD;
    &#xD;
    &#xD;
    You know what I like about working for myself?   No dress code.  &#xD;
  You wear what you want every &#xD;
day of the week and nobody much cares. Frankly, it's &#xD;
gotten to the point where if I've got long pants on &#xD;
between Memorial Day and Labor Day, my kids want &#xD;
to know who I'm meeting with. (If I'm wearing a tie, they &#xD;
want to know who died.)  &#xD;
  And so yesterday evening, when I arrived home wearing pants that weren't jeans and shoes &#xD;
that weren't sneakers, my family knew that something &#xD;
was up.  &#xD;
    "Where'd you go today?," my ten-year-old son Brayden asked over dinner.   I told him that I &#xD;
drove to see someone in Pickerington (pronounced &#xD;
"Pink-er-ington" for those of you not-raised in normal-speaking &#xD;
parts &#xD;
of the world), a city about 20 miles away.  &#xD;
  "How long did it take you to drive there?," he asked.  &#xD;
  "About an hour each way," I said. "Rounding-up the time and not explaining that there was heavy traffic while I was on the road.  &#xD;
    I could see that the wheels were now turning &#xD;
inside Brayden's fourth-grade brain.    &#xD;
  "Wait a second," he said. "Why did it take you &#xD;
  one   hour to drive just 20 miles, when we drove to New York City in 8 hours&amp;hellip; and that's a &#xD;
thousand miles away?"  &#xD;
    Now  I   was confused.   Even ignoring the &#xD;
implication that my Ford Explorer could ever reach 250 &#xD;
miles per hour &amp;ndash; something I doubt it could do &#xD;
if you dropped it out of an airplane &amp;ndash; we live in Columbus, Ohio; New York City is only about 600 &#xD;
miles away.  &#xD;
    So I asked him, "What makes you think New York &#xD;
is a thousand miles from here?"    &#xD;
  "Easy. In that song  Hey There Delilah  , &#xD;
the guys &#xD;
sings: 'What's it like in New York City? I'm a thousand &#xD;
miles away, but girl tonight you look so pretty.'"  &#xD;
    His reasoning was based on a bad assumption, &#xD;
of course, but I had to admit, in a kind of topsy-turvy, &#xD;
me-centric way, it almost made sense.   (The &#xD;
thought crossed my mind that he may play an &#xD;
important media relations role in some future White &#xD;
House administration.)  &#xD;
    For an eight-year-old, it's pretty normal to assume &#xD;
that the world revolves around you and everybody else &#xD;
shares your same perspective.   Unfortunately, for musicians of any age, the same (flawed) &#xD;
assumption is often at work.  &#xD;
  Here's what I mean. Many musicians &amp;ndash; &#xD;
whether they say it out loud or even consciously realize &#xD;
it &amp;ndash; work from the belief that the way they're &#xD;
organized, the people they've got on board, and the &#xD;
products and services they sell, are of keen interest to &#xD;
their fan-base.  &#xD;
  It's a bad assumption.  Here are some examples &#xD;
of how it often plays out:    &#xD;
  &#xD;
    Your musical content formula &#xD;
matches the structure of your band.   Time, &#xD;
Inc. publishes  Sports Illustrated for Kids, Woman's &#xD;
Weekly   and  Land Rover World  . And yet I &#xD;
think you'd agree that if they ever tried to combine the &#xD;
three into one magazine, they'd be very successful in &#xD;
appealing to nobody.  &#xD;
  &#xD;
    &#xD;
    By the same token, and while it's fine to have a &#xD;
company that sells auto insurance to consumers, &#xD;
health insurance to small businesses, and &#xD;
financial aid advice to college students, if you try to &#xD;
cover all those topics for all those audiences in the &#xD;
same publication &amp;ndash;  simply because it's &#xD;
what you do   &amp;ndash; you'll be wasting your time.    &#xD;
        Pick a narrow content focus and stick to it time after time.     How narrow? As narrow &#xD;
as you think possible, and then a few steps more &#xD;
narrow than that.    &#xD;
  &#xD;
    Your music is influenced by several &#xD;
different sources that you're probably not even aware of.   Some musicians even rotate contributors with the idea of "getting input&#xD;
from everybody possible and letting our fans get to know us." That's a&#xD;
nice way to get buy-in and participation from  within   your organization, but again, it's a &#xD;
capital-L-Loser from the point of view of your fan-base, &#xD;
who don't much care about any of that.  &#xD;
      Settle on a clear, consistent, recognizable sound &#xD;
and stick to it time after time.     Be willing to &#xD;
ignore certain groups of potential fans in the name &#xD;
of building a loyal &#xD;
following among others.  &#xD;
    Your music's topics and content all &#xD;
point back to you.   As a marketing person myself, I &#xD;
appreciate the urge to keep citing your experience, &#xD;
pointing out your capabilities and gushing over your &#xD;
own wonderfulness when writing your music. &#xD;
After all, you may be thinking, isn't the promotion of our music the point of all of this in the &#xD;
first place?  &#xD;
  Yes it is. The problem, however, is that the minute &#xD;
your fans see you wander from the bright and &#xD;
cheery land of useful, unbiased information into the &#xD;
cold and calculating campaign bus of self-promoting &#xD;
half-truths, you'll lose them (sorry about the &#xD;
metaphors; I think I'm watching too much political &#xD;
coverage).  &#xD;
    Remember, you're building relationships, not &#xD;
closing today's sale   &amp;ndash; and relationship &#xD;
building is a strategy which in &#xD;
the long run is easier, more profitable and more &#xD;
long-lasting than trying to work the room at every &#xD;
turn.  &#xD;
    Here's the bottom line.   If you want people to &#xD;
anticipate, open, read and pass along your music (and I'm guessing that you do), you need to put &#xD;
yourself in the shoes of your readers.  Try to offer music that will help them live &#xD;
their lives better or will influence them in a way that you may never know, and your next fan will never be &#xD;
more than a few miles away.</content:encoded>
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      <pubDate>Sat, 24 May 2008 02:42:58 GMT</pubDate>
      <guid>http://community.24gospel.com/_Curse-of-the-Me-Album/BLOG/60892/5325.html</guid>
      <dc:creator>kscarlett</dc:creator>
      <dc:date>2008-05-24T02:42:58Z</dc:date>
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        <media:category>Christian MTV</media:category>
        <media:category>Holy Hip Hop</media:category>
        <media:credit role="publishing company" scheme="urn:ebu">24 Gospel</media:credit>
        <media:description>Curse of the Me-Album      &#xD;
     &#xD;
    [image]  &#xD;
  &#xD;
  &#xD;
    &#xD;
    &#xD;
    You know what I like about working for myself?   No dress code.  &#xD;
  You wear what you want every &#xD;
day of the week and nobody much cares. Frankly, it's &#xD;
gotten to the point where if I've got long pants on &#xD;
between Memorial Day and Labor Day, my kids want &#xD;
to know who I'm meeting with. (If I'm wearing a tie, they &#xD;
want to know who died.)  &#xD;
  And so yesterday evening, when I arrived home wearing pants that weren't jeans and shoes &#xD;
that weren't sneakers, my family knew that something &#xD;
was up.  &#xD;
    "Where'd you go today?," my ten-year-old son Brayden asked over dinner.   I told him that I &#xD;
drove to see someone in Pickerington (pronounced &#xD;
"Pink-er-ington" for those of you not-raised in normal-speaking &#xD;
parts &#xD;
of the world), a city about 20 miles away.  &#xD;
  "How long did it take you to drive there?," he asked.  &#xD;
  "About an hour each way," I said. "Rounding-up the time and not explaining that there was heavy traffic while I was on the road.  &#xD;
    I could see that the wheels were now turning &#xD;
inside Brayden's fourth-grade brain.    &#xD;
  "Wait a second," he said. "Why did it take you &#xD;
  one   hour to drive just 20 miles, when we drove to New York City in 8 hours&amp;hellip; and that's a &#xD;
thousand miles away?"  &#xD;
    Now  I   was confused.   Even ignoring the &#xD;
implication that my Ford Explorer could ever reach 250 &#xD;
miles per hour &amp;ndash; something I doubt it could do &#xD;
if you dropped it out of an airplane &amp;ndash; we live in Columbus, Ohio; New York City is only about 600 &#xD;
miles away.  &#xD;
    So I asked him, "What makes you think New York &#xD;
is a thousand miles from here?"    &#xD;
  "Easy. In that song  Hey There Delilah  , &#xD;
the guys &#xD;
sings: 'What's it like in New York City? I'm a thousand &#xD;
miles away, but girl tonight you look so pretty.'"  &#xD;
    His reasoning was based on a bad assumption, &#xD;
of course, but I had to admit, in a kind of topsy-turvy, &#xD;
me-centric way, it almost made sense.   (The &#xD;
thought crossed my mind that he may play an &#xD;
important media relations role in some future White &#xD;
House administration.)  &#xD;
    For an eight-year-old, it's pretty normal to assume &#xD;
that the world revolves around you and everybody else &#xD;
shares your same perspective.   Unfortunately, for musicians of any age, the same (flawed) &#xD;
assumption is often at work.  &#xD;
  Here's what I mean. Many musicians &amp;ndash; &#xD;
whether they say it out loud or even consciously realize &#xD;
it &amp;ndash; work from the belief that the way they're &#xD;
organized, the people they've got on board, and the &#xD;
products and services they sell, are of keen interest to &#xD;
their fan-base.  &#xD;
  It's a bad assumption.  Here are some examples &#xD;
of how it often plays out:    &#xD;
  &#xD;
    Your musical content formula &#xD;
matches the structure of your band.   Time, &#xD;
Inc. publishes  Sports Illustrated for Kids, Woman's &#xD;
Weekly   and  Land Rover World  . And yet I &#xD;
think you'd agree that if they ever tried to combine the &#xD;
three into one magazine, they'd be very successful in &#xD;
appealing to nobody.  &#xD;
  &#xD;
    &#xD;
    By the same token, and while it's fine to have a &#xD;
company that sells auto insurance to consumers, &#xD;
health insurance to small businesses, and &#xD;
financial aid advice to college students, if you try to &#xD;
cover all those topics for all those audiences in the &#xD;
same publication &amp;ndash;  simply because it's &#xD;
what you do   &amp;ndash; you'll be wasting your time.    &#xD;
        Pick a narrow content focus and stick to it time after time.     How narrow? As narrow &#xD;
as you think possible, and then a few steps more &#xD;
narrow than that.    &#xD;
  &#xD;
    Your music is influenced by several &#xD;
different sources that you're probably not even aware of.   Some musicians even rotate contributors with the idea of "getting input&#xD;
from everybody possible and letting our fans get to know us." That's a&#xD;
nice way to get buy-in and participation from  within   your organization, but again, it's a &#xD;
capital-L-Loser from the point of view of your fan-base, &#xD;
who don't much care about any of that.  &#xD;
      Settle on a clear, consistent, recognizable sound &#xD;
and stick to it time after time.     Be willing to &#xD;
ignore certain groups of potential fans in the name &#xD;
of building a loyal &#xD;
following among others.  &#xD;
    Your music's topics and content all &#xD;
point back to you.   As a marketing person myself, I &#xD;
appreciate the urge to keep citing your experience, &#xD;
pointing out your capabilities and gushing over your &#xD;
own wonderfulness when writing your music. &#xD;
After all, you may be thinking, isn't the promotion of our music the point of all of this in the &#xD;
first place?  &#xD;
  Yes it is. The problem, however, is that the minute &#xD;
your fans see you wander from the bright and &#xD;
cheery land of useful, unbiased information into the &#xD;
cold and calculating campaign bus of self-promoting &#xD;
half-truths, you'll lose them (sorry about the &#xD;
metaphors; I think I'm watching too much political &#xD;
coverage).  &#xD;
    Remember, you're building relationships, not &#xD;
closing today's sale   &amp;ndash; and relationship &#xD;
building is a strategy which in &#xD;
the long run is easier, more profitable and more &#xD;
long-lasting than trying to work the room at every &#xD;
turn.  &#xD;
    Here's the bottom line.   If you want people to &#xD;
anticipate, open, read and pass along your music (and I'm guessing that you do), you need to put &#xD;
yourself in the shoes of your readers.  Try to offer music that will help them live &#xD;
their lives better or will influence them in a way that you may never know, and your next fan will never be &#xD;
more than a few miles away.</media:description>
        <media:keywords>christian mtv, curse of the me album, holy hip hop, pduble</media:keywords>
        <media:rating scheme="urn:simple">nonadult</media:rating>
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      <title>If I Die... inside panel</title>
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      <description>One od the inside panel of P-Duble's new release; "If I Die...."</description>
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      <title>If I Die... inside panel</title>
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      <description>One of the inside panel's of "P-Duble's" new full-length release; titled "If I Die...."</description>
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      <title>P-Duble's new single "Respect," debuts at #9 on Audio Street Charts!</title>
      <link>http://community.24gospel.com/_P-Dubles-new-single-Respect-debuts-at-9-on-Audio-Street-Charts/BLOG/59370/5325.html</link>
      <description>P-Duble's new single "Respect," debuts at #9 on the Audio Street Christian Rap charts.     The link to the charts is as follows:      http://www.audiostreet.net/charts. aspx?genreid=163     The link to P-Duble's AudioStreet page is:      http://www.audiostreet.net/charts. aspx?genreid=163       --  Pike Street Music - Colossians 3:17    http://pduble.bravehost.com    http://www.myspace.com/pikestreetm usicpduble     P-Duble's newest release "If I Die..." - 6/1/08!!!!!!</description>
      <content:encoded>P-Duble's new single "Respect," debuts at #9 on the Audio Street Christian Rap charts.     The link to the charts is as follows:      http://www.audiostreet.net/charts. aspx?genreid=163     The link to P-Duble's AudioStreet page is:      http://www.audiostreet.net/charts. aspx?genreid=163       --  Pike Street Music - Colossians 3:17    http://pduble.bravehost.com    http://www.myspace.com/pikestreetm usicpduble     P-Duble's newest release "If I Die..." - 6/1/08!!!!!!</content:encoded>
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      <title>Almost Famous</title>
      <link>http://community.24gospel.com/_Almost-Famous/BLOG/59368/5325.html</link>
      <description>Almost Famous      &#xD;
     &#xD;
    [image]  &#xD;
  &#xD;
  &#xD;
    &#xD;
    &#xD;
    My son Brayden is now famous.   Here's what &#xD;
happened&amp;hellip;  &#xD;
  About a month ago, Brayden and three of his 9-year-old &#xD;
friends got together on a Saturday afternoon and &#xD;
decided to make a movie.  Using a digital video &#xD;
camera and thankfully not my basement, they spent &#xD;
most of the weekend making a 55 second epic.    &#xD;
  That Sunday evening around 7pm (prime time for young computer users), I&#xD;
helped them post it on a makeshift facebook page that I quickly created&#xD;
for them page. Within minutes, they had several comments, and,&#xD;
according to Brayden, many more the next day at school.  &#xD;
    And so the following weekend, they made another &#xD;
movie.   This one was longer, more technically complicated &#xD;
and shot in more than one location. Sunday evening &#xD;
at 7pm, they posted again. More buzz, more interest.  &#xD;
  Last weekend they took it up another notch entirely, adding costumes, fire, &#xD;
moving objects, etc... and even &#xD;
a plot.  This time, on Sunday at 7pm, kids were &#xD;
waiting by their computers.   That Monday &#xD;
afternoon at school, the buzz had grown so large that &#xD;
the boys had to be escorted out of the building by two &#xD;
uniformed police officers.  &#xD;
  Okay, I totally made that last part up. But you get the &#xD;
picture&amp;hellip; lots of interest in the student body.  &#xD;
  &#xD;
  Some (actual) highlights from the past 30 days:  &#xD;
      &#xD;
  &#xD;
   Over 100 kids from Brayden's class have posted &#xD;
comments about the videos on this Facebook page. &#xD;
Many are now clamoring to appear in future &#xD;
episodes.  &#xD;
  &#xD;
   Several people in town have gone out of their way to &#xD;
mention the videos to my wife Jodie and me, some of &#xD;
whom don't even have kids in the same school.  &#xD;
   The teacher who runs the film program at the high &#xD;
school got wind of the videos, sought out the boys, &#xD;
and wants them to enter a local film &#xD;
competition.  &#xD;
  "So what?", you ask. So this.  What's happened to Brayden and his friends over the past month has &#xD;
everything to do with your project; whatever it may be  . Because &#xD;
when you look at the impact they've had, you'll notice &#xD;
two important things:  &#xD;
  &#xD;
    You can't force a following.   They didn't &#xD;
promote the videos, they just started posting them. &#xD;
Kids found them, liked them, and told other kids.  &#xD;
  &#xD;
  In this fickle music business, people are always asking &#xD;
me the same question: "How do we grow the size of &#xD;
our fan list?" My answer is always the &#xD;
same: "How did you find me?"  &#xD;
  Ha, ha! I am kidding. My answer is always: "Have &#xD;
something that your target audience wants to read/hear/see and &#xD;
word will spread."  &#xD;
  The Brayden Boys aren't creating their videos as a means &#xD;
to an end, they're just trying to create great videos. &#xD;
See if you can approach your own stuff in the &#xD;
same way.  &#xD;
    List size doesn't matter; talking to the right people &#xD;
does.   100 kids doesn't sound like a very big &#xD;
number. Until you realize that those 100 kids &#xD;
represent 80% of his entire class. In terms of getting the attention of the &#xD;
  right   audience (for them), these four boys are &#xD;
airing the SuperBowl every Sunday night.  &#xD;
  Now look at what you're doing. Are readers eagerly &#xD;
awaiting your next e-mail? Are they telling other people &#xD;
about your music? Are they sending you feedback, making &#xD;
suggestions, clamoring to be included in future &#xD;
editions?  &#xD;
    Until these kinds of things are happening with what you're doing, don't bother trying to grow your list.   It doesn't matter. What you need are fans&amp;hellip; &#xD;
not &#xD;
politely tolerant recipients. Because when it comes to &#xD;
generating actual fans for your actual project who &#xD;
will pay you actual money, ten of the former will &#xD;
outperform ten  thousand   of the latter.  &#xD;
  Before you worry about making your list larger, figure &#xD;
out which narrow slice of the universe you're trying to &#xD;
influence. Then provide content that those people will &#xD;
anticipate and pass along. Fans.  &#xD;
    Here's the bottom line.  When it comes to your stuff, see if you can approach it more like a &#xD;
bunch of high school kids trying to stand out on &#xD;
Monday morning, and less like a marketer trying to &#xD;
sneak into someone's in-box. I know you want to grow &#xD;
your fan-base, but until you can crack the code on &#xD;
what your fans want, you'll remain invisible.  &#xD;
  As for The Brayden Boys and their video fame, I have no &#xD;
idea how long it will last.  I'm just glad they've felt &#xD;
what &#xD;
it's like to touch a nerve and develop a following.   Once &#xD;
you've experienced that &amp;ndash; whether in growing a fan-base or simply growing a high school reputation &#xD;
&amp;ndash; there's no settling for anything less.</description>
      <content:encoded>Almost Famous      &#xD;
     &#xD;
    [image]  &#xD;
  &#xD;
  &#xD;
    &#xD;
    &#xD;
    My son Brayden is now famous.   Here's what &#xD;
happened&amp;hellip;  &#xD;
  About a month ago, Brayden and three of his 9-year-old &#xD;
friends got together on a Saturday afternoon and &#xD;
decided to make a movie.  Using a digital video &#xD;
camera and thankfully not my basement, they spent &#xD;
most of the weekend making a 55 second epic.    &#xD;
  That Sunday evening around 7pm (prime time for young computer users), I&#xD;
helped them post it on a makeshift facebook page that I quickly created&#xD;
for them page. Within minutes, they had several comments, and,&#xD;
according to Brayden, many more the next day at school.  &#xD;
    And so the following weekend, they made another &#xD;
movie.   This one was longer, more technically complicated &#xD;
and shot in more than one location. Sunday evening &#xD;
at 7pm, they posted again. More buzz, more interest.  &#xD;
  Last weekend they took it up another notch entirely, adding costumes, fire, &#xD;
moving objects, etc... and even &#xD;
a plot.  This time, on Sunday at 7pm, kids were &#xD;
waiting by their computers.   That Monday &#xD;
afternoon at school, the buzz had grown so large that &#xD;
the boys had to be escorted out of the building by two &#xD;
uniformed police officers.  &#xD;
  Okay, I totally made that last part up. But you get the &#xD;
picture&amp;hellip; lots of interest in the student body.  &#xD;
  &#xD;
  Some (actual) highlights from the past 30 days:  &#xD;
      &#xD;
  &#xD;
   Over 100 kids from Brayden's class have posted &#xD;
comments about the videos on this Facebook page. &#xD;
Many are now clamoring to appear in future &#xD;
episodes.  &#xD;
  &#xD;
   Several people in town have gone out of their way to &#xD;
mention the videos to my wife Jodie and me, some of &#xD;
whom don't even have kids in the same school.  &#xD;
   The teacher who runs the film program at the high &#xD;
school got wind of the videos, sought out the boys, &#xD;
and wants them to enter a local film &#xD;
competition.  &#xD;
  "So what?", you ask. So this.  What's happened to Brayden and his friends over the past month has &#xD;
everything to do with your project; whatever it may be  . Because &#xD;
when you look at the impact they've had, you'll notice &#xD;
two important things:  &#xD;
  &#xD;
    You can't force a following.   They didn't &#xD;
promote the videos, they just started posting them. &#xD;
Kids found them, liked them, and told other kids.  &#xD;
  &#xD;
  In this fickle music business, people are always asking &#xD;
me the same question: "How do we grow the size of &#xD;
our fan list?" My answer is always the &#xD;
same: "How did you find me?"  &#xD;
  Ha, ha! I am kidding. My answer is always: "Have &#xD;
something that your target audience wants to read/hear/see and &#xD;
word will spread."  &#xD;
  The Brayden Boys aren't creating their videos as a means &#xD;
to an end, they're just trying to create great videos. &#xD;
See if you can approach your own stuff in the &#xD;
same way.  &#xD;
    List size doesn't matter; talking to the right people &#xD;
does.   100 kids doesn't sound like a very big &#xD;
number. Until you realize that those 100 kids &#xD;
represent 80% of his entire class. In terms of getting the attention of the &#xD;
  right   audience (for them), these four boys are &#xD;
airing the SuperBowl every Sunday night.  &#xD;
  Now look at what you're doing. Are readers eagerly &#xD;
awaiting your next e-mail? Are they telling other people &#xD;
about your music? Are they sending you feedback, making &#xD;
suggestions, clamoring to be included in future &#xD;
editions?  &#xD;
    Until these kinds of things are happening with what you're doing, don't bother trying to grow your list.   It doesn't matter. What you need are fans&amp;hellip; &#xD;
not &#xD;
politely tolerant recipients. Because when it comes to &#xD;
generating actual fans for your actual project who &#xD;
will pay you actual money, ten of the former will &#xD;
outperform ten  thousand   of the latter.  &#xD;
  Before you worry about making your list larger, figure &#xD;
out which narrow slice of the universe you're trying to &#xD;
influence. Then provide content that those people will &#xD;
anticipate and pass along. Fans.  &#xD;
    Here's the bottom line.  When it comes to your stuff, see if you can approach it more like a &#xD;
bunch of high school kids trying to stand out on &#xD;
Monday morning, and less like a marketer trying to &#xD;
sneak into someone's in-box. I know you want to grow &#xD;
your fan-base, but until you can crack the code on &#xD;
what your fans want, you'll remain invisible.  &#xD;
  As for The Brayden Boys and their video fame, I have no &#xD;
idea how long it will last.  I'm just glad they've felt &#xD;
what &#xD;
it's like to touch a nerve and develop a following.   Once &#xD;
you've experienced that &amp;ndash; whether in growing a fan-base or simply growing a high school reputation &#xD;
&amp;ndash; there's no settling for anything less.</content:encoded>
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      <pubDate>Mon, 19 May 2008 22:27:42 GMT</pubDate>
      <guid>http://community.24gospel.com/_Almost-Famous/BLOG/59368/5325.html</guid>
      <dc:creator>kscarlett</dc:creator>
      <dc:date>2008-05-19T22:27:42Z</dc:date>
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        <media:credit role="publishing company" scheme="urn:ebu">24 Gospel</media:credit>
        <media:description>Almost Famous      &#xD;
     &#xD;
    [image]  &#xD;
  &#xD;
  &#xD;
    &#xD;
    &#xD;
    My son Brayden is now famous.   Here's what &#xD;
happened&amp;hellip;  &#xD;
  About a month ago, Brayden and three of his 9-year-old &#xD;
friends got together on a Saturday afternoon and &#xD;
decided to make a movie.  Using a digital video &#xD;
camera and thankfully not my basement, they spent &#xD;
most of the weekend making a 55 second epic.    &#xD;
  That Sunday evening around 7pm (prime time for young computer users), I&#xD;
helped them post it on a makeshift facebook page that I quickly created&#xD;
for them page. Within minutes, they had several comments, and,&#xD;
according to Brayden, many more the next day at school.  &#xD;
    And so the following weekend, they made another &#xD;
movie.   This one was longer, more technically complicated &#xD;
and shot in more than one location. Sunday evening &#xD;
at 7pm, they posted again. More buzz, more interest.  &#xD;
  Last weekend they took it up another notch entirely, adding costumes, fire, &#xD;
moving objects, etc... and even &#xD;
a plot.  This time, on Sunday at 7pm, kids were &#xD;
waiting by their computers.   That Monday &#xD;
afternoon at school, the buzz had grown so large that &#xD;
the boys had to be escorted out of the building by two &#xD;
uniformed police officers.  &#xD;
  Okay, I totally made that last part up. But you get the &#xD;
picture&amp;hellip; lots of interest in the student body.  &#xD;
  &#xD;
  Some (actual) highlights from the past 30 days:  &#xD;
      &#xD;
  &#xD;
   Over 100 kids from Brayden's class have posted &#xD;
comments about the videos on this Facebook page. &#xD;
Many are now clamoring to appear in future &#xD;
episodes.  &#xD;
  &#xD;
   Several people in town have gone out of their way to &#xD;
mention the videos to my wife Jodie and me, some of &#xD;
whom don't even have kids in the same school.  &#xD;
   The teacher who runs the film program at the high &#xD;
school got wind of the videos, sought out the boys, &#xD;
and wants them to enter a local film &#xD;
competition.  &#xD;
  "So what?", you ask. So this.  What's happened to Brayden and his friends over the past month has &#xD;
everything to do with your project; whatever it may be  . Because &#xD;
when you look at the impact they've had, you'll notice &#xD;
two important things:  &#xD;
  &#xD;
    You can't force a following.   They didn't &#xD;
promote the videos, they just started posting them. &#xD;
Kids found them, liked them, and told other kids.  &#xD;
  &#xD;
  In this fickle music business, people are always asking &#xD;
me the same question: "How do we grow the size of &#xD;
our fan list?" My answer is always the &#xD;
same: "How did you find me?"  &#xD;
  Ha, ha! I am kidding. My answer is always: "Have &#xD;
something that your target audience wants to read/hear/see and &#xD;
word will spread."  &#xD;
  The Brayden Boys aren't creating their videos as a means &#xD;
to an end, they're just trying to create great videos. &#xD;
See if you can approach your own stuff in the &#xD;
same way.  &#xD;
    List size doesn't matter; talking to the right people &#xD;
does.   100 kids doesn't sound like a very big &#xD;
number. Until you realize that those 100 kids &#xD;
represent 80% of his entire class. In terms of getting the attention of the &#xD;
  right   audience (for them), these four boys are &#xD;
airing the SuperBowl every Sunday night.  &#xD;
  Now look at what you're doing. Are readers eagerly &#xD;
awaiting your next e-mail? Are they telling other people &#xD;
about your music? Are they sending you feedback, making &#xD;
suggestions, clamoring to be included in future &#xD;
editions?  &#xD;
    Until these kinds of things are happening with what you're doing, don't bother trying to grow your list.   It doesn't matter. What you need are fans&amp;hellip; &#xD;
not &#xD;
politely tolerant recipients. Because when it comes to &#xD;
generating actual fans for your actual project who &#xD;
will pay you actual money, ten of the former will &#xD;
outperform ten  thousand   of the latter.  &#xD;
  Before you worry about making your list larger, figure &#xD;
out which narrow slice of the universe you're trying to &#xD;
influence. Then provide content that those people will &#xD;
anticipate and pass along. Fans.  &#xD;
    Here's the bottom line.  When it comes to your stuff, see if you can approach it more like a &#xD;
bunch of high school kids trying to stand out on &#xD;
Monday morning, and less like a marketer trying to &#xD;
sneak into someone's in-box. I know you want to grow &#xD;
your fan-base, but until you can crack the code on &#xD;
what your fans want, you'll remain invisible.  &#xD;
  As for The Brayden Boys and their video fame, I have no &#xD;
idea how long it will last.  I'm just glad they've felt &#xD;
what &#xD;
it's like to touch a nerve and develop a following.   Once &#xD;
you've experienced that &amp;ndash; whether in growing a fan-base or simply growing a high school reputation &#xD;
&amp;ndash; there's no settling for anything less.</media:description>
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      <title>Changes are Coming!</title>
      <link>http://community.24gospel.com/_Changes-are-Coming/BLOG/59362/5325.html</link>
      <description>There are some changes about to hit the music world soon and we want you to be the first to know. &#xD;
On June 1st, one of the more unique and edgier albums to hit the streets will drop.    &#xD;
    &#xD;
     So what does&#xD;
this mean for you?    &#xD;
    &#xD;
     Well, most&#xD;
importantly, you'll be able to download the entire project for free for&#xD;
a limited-time. &#xD;
You'll be able to access ringtones, photos and wall-paper; all for free&#xD;
and only for a limited time window.. Just keep your eyes open and&#xD;
watching not only your e-mail, but also checking the website:      &#xD;
      http://pduble.bravehost.com    &#xD;
     ...for more information.      &#xD;
    &#xD;
     This is all&#xD;
in celebration of an album project more than a year in the making and&#xD;
what may be the final release from a veteran MC who has been spreading&#xD;
the gospel for more than 15 years. P-Duble's newest full-length&#xD;
release, titled: "If I Die..." is all set and ready to drop.. This&#xD;
Christian rap project is hard and rolls with a significant edge with a&#xD;
strong foundation in the scripture. Easy, right? Wrong! With many&#xD;
hours of writing, rewriting, recording, rerecording, etc....the project&#xD;
is strapped for those caught deep in the street game and may just be&#xD;
one of the edgier and harder Christian rap projects to have been&#xD;
released since the early 1990's releases from S. S. Mob, the CMC's and&#xD;
the Gospel Gangsters.      &#xD;
    &#xD;
     This project&#xD;
includes 20 tracks and features cameos from the likes of Bridget&#xD;
Winterman, T-Huzzie, Ty Wills, Heavyweight, BW + LX, Mims and Luppy. &#xD;
Produced by the Kaulipepper Klik and co-produced by Quite Stankable&#xD;
Productions in conjunction with Stay Beat Music, the tracks are not&#xD;
only bangin', but the hooks are catchy and the delivery is on-point and&#xD;
constructed. This new release is not for the faint of heart, as it&#xD;
delves deep into subject matter than many turn their heads away from&#xD;
and may not even know exists, especially existing for the those whom&#xD;
have been saved by the Grace of Jesus Christ.      &#xD;
    &#xD;
     We're really&#xD;
excited about the changes that we feel the Lord is planning to bring&#xD;
with this new project and we hope you are too. Remember, the Lord&#xD;
works in mysterious ways and even those trapped in the deepest of the&#xD;
concrete jungles need to hear the gospel and in a way they can relate&#xD;
to.    &#xD;
    In Him,    &#xD;
          &#xD;
  Keith Scarlett  &#xD;
  P-Duble and the entire Pike Street Music ministry team</description>
      <content:encoded>There are some changes about to hit the music world soon and we want you to be the first to know. &#xD;
On June 1st, one of the more unique and edgier albums to hit the streets will drop.    &#xD;
    &#xD;
     So what does&#xD;
this mean for you?    &#xD;
    &#xD;
     Well, most&#xD;
importantly, you'll be able to download the entire project for free for&#xD;
a limited-time. &#xD;
You'll be able to access ringtones, photos and wall-paper; all for free&#xD;
and only for a limited time window.. Just keep your eyes open and&#xD;
watching not only your e-mail, but also checking the website:      &#xD;
      http://pduble.bravehost.com    &#xD;
     ...for more information.      &#xD;
    &#xD;
     This is all&#xD;
in celebration of an album project more than a year in the making and&#xD;
what may be the final release from a veteran MC who has been spreading&#xD;
the gospel for more than 15 years. P-Duble's newest full-length&#xD;
release, titled: "If I Die..." is all set and ready to drop.. This&#xD;
Christian rap project is hard and rolls with a significant edge with a&#xD;
strong foundation in the scripture. Easy, right? Wrong! With many&#xD;
hours of writing, rewriting, recording, rerecording, etc....the project&#xD;
is strapped for those caught deep in the street game and may just be&#xD;
one of the edgier and harder Christian rap projects to have been&#xD;
released since the early 1990's releases from S. S. Mob, the CMC's and&#xD;
the Gospel Gangsters.      &#xD;
    &#xD;
     This project&#xD;
includes 20 tracks and features cameos from the likes of Bridget&#xD;
Winterman, T-Huzzie, Ty Wills, Heavyweight, BW + LX, Mims and Luppy. &#xD;
Produced by the Kaulipepper Klik and co-produced by Quite Stankable&#xD;
Productions in conjunction with Stay Beat Music, the tracks are not&#xD;
only bangin', but the hooks are catchy and the delivery is on-point and&#xD;
constructed. This new release is not for the faint of heart, as it&#xD;
delves deep into subject matter than many turn their heads away from&#xD;
and may not even know exists, especially existing for the those whom&#xD;
have been saved by the Grace of Jesus Christ.      &#xD;
    &#xD;
     We're really&#xD;
excited about the changes that we feel the Lord is planning to bring&#xD;
with this new project and we hope you are too. Remember, the Lord&#xD;
works in mysterious ways and even those trapped in the deepest of the&#xD;
concrete jungles need to hear the gospel and in a way they can relate&#xD;
to.    &#xD;
    In Him,    &#xD;
          &#xD;
  Keith Scarlett  &#xD;
  P-Duble and the entire Pike Street Music ministry team</content:encoded>
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      <pubDate>Mon, 19 May 2008 22:16:35 GMT</pubDate>
      <guid>http://community.24gospel.com/_Changes-are-Coming/BLOG/59362/5325.html</guid>
      <dc:creator>kscarlett</dc:creator>
      <dc:date>2008-05-19T22:16:35Z</dc:date>
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        <media:category>Holy Hip Hop</media:category>
        <media:credit role="publishing company" scheme="urn:ebu">24 Gospel</media:credit>
        <media:description>There are some changes about to hit the music world soon and we want you to be the first to know. &#xD;
On June 1st, one of the more unique and edgier albums to hit the streets will drop.    &#xD;
    &#xD;
     So what does&#xD;
this mean for you?    &#xD;
    &#xD;
     Well, most&#xD;
importantly, you'll be able to download the entire project for free for&#xD;
a limited-time. &#xD;
You'll be able to access ringtones, photos and wall-paper; all for free&#xD;
and only for a limited time window.. Just keep your eyes open and&#xD;
watching not only your e-mail, but also checking the website:      &#xD;
      http://pduble.bravehost.com    &#xD;
     ...for more information.      &#xD;
    &#xD;
     This is all&#xD;
in celebration of an album project more than a year in the making and&#xD;
what may be the final release from a veteran MC who has been spreading&#xD;
the gospel for more than 15 years. P-Duble's newest full-length&#xD;
release, titled: "If I Die..." is all set and ready to drop.. This&#xD;
Christian rap project is hard and rolls with a significant edge with a&#xD;
strong foundation in the scripture. Easy, right? Wrong! With many&#xD;
hours of writing, rewriting, recording, rerecording, etc....the project&#xD;
is strapped for those caught deep in the street game and may just be&#xD;
one of the edgier and harder Christian rap projects to have been&#xD;
released since the early 1990's releases from S. S. Mob, the CMC's and&#xD;
the Gospel Gangsters.      &#xD;
    &#xD;
     This project&#xD;
includes 20 tracks and features cameos from the likes of Bridget&#xD;
Winterman, T-Huzzie, Ty Wills, Heavyweight, BW + LX, Mims and Luppy. &#xD;
Produced by the Kaulipepper Klik and co-produced by Quite Stankable&#xD;
Productions in conjunction with Stay Beat Music, the tracks are not&#xD;
only bangin', but the hooks are catchy and the delivery is on-point and&#xD;
constructed. This new release is not for the faint of heart, as it&#xD;
delves deep into subject matter than many turn their heads away from&#xD;
and may not even know exists, especially existing for the those whom&#xD;
have been saved by the Grace of Jesus Christ.      &#xD;
    &#xD;
     We're really&#xD;
excited about the changes that we feel the Lord is planning to bring&#xD;
with this new project and we hope you are too. Remember, the Lord&#xD;
works in mysterious ways and even those trapped in the deepest of the&#xD;
concrete jungles need to hear the gospel and in a way they can relate&#xD;
to.    &#xD;
    In Him,    &#xD;
          &#xD;
  Keith Scarlett  &#xD;
  P-Duble and the entire Pike Street Music ministry team</media:description>
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      <title>If I Die... inside panel; credits</title>
      <link>http://community.24gospel.com/_If-I-Die-inside-panel-credits/PHOTO/1263106/5325.html</link>
      <description>Inside panel of P-Duble's newest full-length release; "If I Die..." - due out 6/1/08!</description>
      <content:encoded>Inside panel of P-Duble's newest full-length release; "If I Die..." - due out 6/1/08!</content:encoded>
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      <dc:creator>kscarlett</dc:creator>
      <dc:date>2008-05-19T22:04:10Z</dc:date>
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      <title>If I Die... back cover</title>
      <link>http://community.24gospel.com/_If-I-Die-back-cover/PHOTO/1253626/5325.html</link>
      <description>Back cover of "If I Die..."</description>
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      <dc:creator>kscarlett</dc:creator>
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